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Hello Everyone

I'm going to share 65 GB of my e-books  collection with you.. i've only one request please don't spam my post or make any complains.. its really a hard job to upload n share things with you all when my upload speed 25KB. i hope you'll understand.. just last months because of a book i've shared with you someone placed a complain against my RS account.. i had 3000 files on that account.. it took me years to upload things and share with you.. so if you don't like any of the books to be posted on this site please let me know and i'll delete the link. 

thank you so much

Mystrioushawk

TV, Film Documentary E-Books :

Visual effects for film television (2004)




Visual Effects for Film and Television
Focal Press | 2004 | ISBN 0240516753 | 247 pages | PDF | 3 MB
Written by an experienced professional, this manual is the essential guide to understanding the principles and background of modern visual effects.
* An invaluable insight into the use of visual effects in film and television
* Fully illustrated with diagrams to show you step-by-step techniques
* Covers visual effects processes from front-of-camera to post-production
* Integrated approach to film, video and digital techniques
* Redefines the rules of photography so that they can be broken for effects
* Shows the line of development from the oldest to the newest processes
* A must for cinematographers, editors, designers and students of VFX alike
* Everything you need to know to plan and supervise visual effects shots
* Essential reading for anyone working in commercials/advertising photography or effects


Written by an experienced professional, this manual is the essential guide to understanding the principles and background of modern visual effects.

Visual effects are at the forefront of a digital revolution in the film and video industry and are becoming more and more important to movie language. This book teaches the practical techniques and skills required to incorporate effects successfully into both film and television production.

* Offers an invaluable insight into the use of special effects in film and television
* Step-by-step coverage from moving camera through to post production for ease of understanding
* Learn all the skills and techniques required from the only text available on the subject.

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http://rapidshare.com/files/382188323/_Focal_Press__Visual_Effects_for_Film___Television__2004_.pdf

Archival Storytelling



Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music by Sheila Curran Bernard
Publisher: Focal Press | Number Of Pages: 336 | Publication Date: 2008-09-29 | ISBN-10: 0240809734 | PDF | 4 Mb
Archival Storytelling is an essential, pragmatic guide to one of the most challenging issues facing filmmakers today: the use of images and music that belong to someone else. Where do producers go for affordable stills and footage? How do filmmakers evaluate the historical value of archival materials? What do vérité producers need to know when documenting a world filled with rights-protected images and sounds? How do filmmakers protect their own creative efforts from infringement?


Filled with advice and insight from filmmakers, archivists, film researchers, music supervisors, intellectual property experts, insurance executives and others, Archival Storytelling defines key terms-copyright, fair use, public domain, orphan works and more-and challenges filmmakers to become not only archival users but also archival and copyright activists, ensuring their ongoing ability as creators to draw on the cultural materials that surround them.

Features conversations with industry leaders including Patricia Aufderheide, Hubert Best, Peter Jaszi, Jan Krawitz, Lawrence Lessig, Stanley Nelson, Rick Prelinger, Geoffrey C. Ward and many others.

* Nearly all filmmakers, at some point in their careers, will want to use third-party materials, or will be asked to license their own work to someone else. This book will show you how to do it (and stay on-time and within budget)
* This book, by clarifying and defining such terms as fair use, copyright, intellectual property, and Creative Commons, can better prepare media makers to not only protect their own creative rights but to understand and respect those of others.

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http://rapidshare.com/files/382184476/ASTelling.pdf

British Horror Cinema



Steve Chibnall, British Horror Cinema
Routledge | ISBN: 0415230039 | 2001-12-14 | 256 pages | PDF | 2.2 MB
From no-budget to the Hammer studio, British Horror Cinema investigates a wealth of horror films including classics such as Peeping Tom and The Wicker Man. Contributors consider the Britishness of British horror and address issues of censorship, the representation of family and of women. They also examine sub-genres such as the portmanteau horror film, and the work of key filmmakers including John Gilling and Peter Walker.

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http://rapidshare.com/files/341148676/British_Horror_Cinema.Mystery.pdf

Cross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos




Cross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos by Ilisa Barbash, Lucien Taylor
Publisher: University of California Press | Number Of Pages: 380 | Publication Date: 1997-11-03 | ISBN-10: 0520087607 | PDF | 3 Mb
Addressing the concerns of anthropologists, this extraordinary handbook covers the practical, technical, and theoretical aspects of filming information never before assembled in one place. The book is filled with useful illustrations and revealing photographs of filmmakers in action and covers documentary and ethnographic filmmaking of all kinds. 56 photos.

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http://rapidshare.com/files/382189638/Barbash___Taylor_2007_Cross-Cultural_Filmmaking_A_Handbook_For_Making_Documentary___Ethnographic_Fil

Career Opportunities in the Film Industry, 2nd Edition



Fred Yager, Jan Yager, Career Opportunities in the Film Industry, 2nd Edition
Ferguson Publishing Company | ISBN: 081607352X | 2009-01-30 | 297 Pages | PDF | 1.3 MB
This guide offers profiles of over 80 jobs in the film industry. Each profile details job duties, required experience and skills, advancement opportunities and salary ranges. Information is included on colleges, universities, film schools and websites, and there is a glossary of industry jargon.

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http://rapidshare.com/files/341136796/Career_Oppertunities_in_The_Film_Industry.pdf

Careers in Media and Film: The Essential Guide



Careers in Media and Film: The Essential Guide
Sage Publications Ltd | ISBN: 1412923727 | 2008-01-22 | PDF | 224 pages | 2 MB
A virtual career coach, this practical handbook offers encouragement, advice, information, and case studies to help students make the most of the opportunities in this very competitive career world. The book can be used as a textual support for careers modules and PDP (Personal Development Planning), graduate workshops, on-line courses and as a departmental or careers library resource. Equally, it works effectively as a self-help guide to enable individuals to focus on their career and life development.

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http://rapidshare.com/files/341138592/Careers_in_Media.pdf

The Film Preservation Guide: The Basics for Archives, Libraries, and Museums




The Film Preservation Guide: The Basics for Archives, Libraries, and Museums
National Film Preservation Foundation | ISBN: 0974709905 | 2004 | PDF | 122 pages | 1.5 MB
Americas film heritage is as diverse as America itself. For more than one hundred years Americans with movie camerasprofessional and amateur alikehave traveled the country documenting traditions, telling stories, and recording events of the day. They have captured peoples and places not filmed by the mainstream media.

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http://rapidshare.com/files/341137618/Film_Preservation_Guide_The_Basics_for_Archives__Libraries__and_Museums__2005__134p_9780974709901_09

The Horror Film and Psychoanalysis



Steven Jay Schneider, The Horror Film and Psychoanalysis
Cambridge University Press | ISBN: 0521825210 | 2003 | PDF | 318 pages | 1.6 MB
This volume finds the proper place of psychoanalytic thought in critical analysis of cinema through a series of essays that debate its legitimacy, utility, and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres.

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http://rapidshare.com/files/341139641/Horror_Flim___Psychoanalysis.Mystery.pdf

How Not to Make a Short Film: Secrets from a Sundance Programmer



How Not to Make a Short Film: Secrets from a Sundance Programmer by Roberta Marie Munroe
Publisher: Hyperion | Number Of Pages: 288 | Publication Date: 2009-01-20 | ISBN-10: 1401309542 | PDF | 1 Mb
Roberta Munroe screened short film submissions at Sundance for five years, and is an award-winning short filmmaker in her own right. So she knows a thing or two about how not to make a short film. From the first draft of your script to casting, production, editing, and distribution, this is your one-stop primer for breaking into the business. Featuring interviews with many of today's most talented writers, producers, and directors, as well as revealing stories (e.g., what to do when the skinhead crack addict next door begins screaming obscenities as soon as you call action) from the sets of her own short films, Roberta walks you through the minefield of mistakes that an aspiring filmmaker can make--so that you don't have to make them yourself.

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sorry for this.i had to remove the link. got a complain PM me.:(

How to Make Your Own Video or Short Film




Bob Harvey, How to Make Your Own Video or Short Film: All You Need to Know to Make Your Own Ideas Shine
How to Books | 2009 | ISBN: 1845282566 | 252 pages | PDF | 1 MB
New technologies now offer accessibility to the medium of video and film for virtually anyone who feels they have something to say. You might be: someone who wants to create a video to share online; someone who wants to record and document everyday events that happen around you; a charity worker wanting to highlight the plight of the less fortunate, or a journalist keen to use film to explore social issues; an artist or a writer eager to experiment within an an audio visual medium; anyone who wants to step into a world of discovery and challenge, and learn new skills along the way.This book offers an abundance of hints, tips and practical advice that will help emerging film-makers discover an exciting form of expression, either for personal satisfaction or to make their mark in a highly competitive industry. It includes: deciding what kind of film you want to make; choosing a camera; choosing your subject matter; dealing with copyright; using music to enhance your film; working with professional actors; researching information and avoiding location problems; production meetings; budgets; schedules; conducting interviews for documentaries; digital editing; around and lighting techniques; and, making your film stand out from the crowd.

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http://rapidshare.com/files/341141594/How_To_Make_Your_Own_Video_Short_Film.pdf

Real Time Cameras



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http://rapidshare.com/files/341142676/real_time_cameras.pdf

The Filmmakers Guide to Production Design



Vincent LoBrutto, The Filmmaker's Guide to Production Design
Allworth Press | ISBN 1581152248 | May 1, 2002 | 240 Pages | PDF | 2.2MB


In this outstanding book on production design, LoBrutto, an independent filmmaker and freelance film editor, goes to great lengths to cover the essentials-storyboarding, set decoration, budgeting, architecture, screenwriting, props, and wardrobe. He begins with an explanation of and introduction to design before dedicating a chapter to each particular facet of production, including one on genres with useful research techniques. LoBrutto tells readers step by step what to do and then illustrates his points by discussing scenes from different films that students can watch to understand and appreciate fully the scope of the text. Ending each chapter are practice exercises to reinforce the techniques.

LoBrutto includes a list of 100 films to study, a glossary of terms, plus tools for further research. Ward Preston's What an Art Director Does: An Introduction to Motion Picture Production Design covers much of the same material but is more anecdotal; LoBrutto's book is an in-depth manual for serious filmmakers. This guide should be in every academic library where there is a strong film program, and public libraries may want to consider it as well. Highly recommended.

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http://rapidshare.com/files/341216399/The_Filmmaker_s_Guide_to_Production_Design.pdf

Woman with a Movie Camera: My Life as a Russian Filmmaker



Marina Goldovskaya, Robert Rosen, Antonina W. Bouis, Woman with a Movie Camera: My Life as a Russian Filmmaker
University of Texas Press | ISBN 0292713436 | October 1, 2006 | PDF | 288 Pages | ~1MB

Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street, The Shattered Mirror, and Solovky Power, has garnered international acclaim and won virtually every prize given for documentary filmmaking.

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http://rapidshare.com/files/341226856/Woman_With_a_Movie_Camera__My_Life_As_a_Russian_Filmmaker_.pdf

Producing for TV and Video: A Real-World Approach



Cathrine Kellison, Producing for TV and Video: A Real-World Approach
Focal Press | ISBN: 0240816249 | September 16, 2005 | 280 pages | PDF | 1.5 MB
Producing for TV and Video is a must-read for anyone interested in a career in TV production. This comprehensive book explains the role of the TV producer in detail, including in-depth descriptions of a producer's day-to-day duties and tasks and a big picture overview of the production process in general and how the producer fits in. Complete with interviews and insights from production professionals in all areas of television, such as reality television and children's programming, Producing for TV and Video will provide you with an understanding of the TV production process and the role of the TV producer from beginning to end.

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http://rapidshare.com/files/341276176/Producting_for_tv_and_vedio.pdf

Satyajit Ray: The Inner Eye: The Biography of a Master Film-Maker



Andrew Robinson, Satyajit Ray: The Inner Eye: The Biography of a Master Film-Maker
I. B. Tauris | ISBN 1860649653 | February 21, 2004 | PDF | 432 Pages | 1.7MB

... an extraordinarily good, detailed and selfless book.-- V.S. Naipaul
I have read this book with profound admiration for its research and the manner in which it has integrated the details. It is an important document as well as a literary contribution.-- R.K. Narayan
...extremely thorough often perceptive and at times highly entertaining.-- Salman Rushdie

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http://rapidshare.com/files/341272971/Satyajit_Ray_-_The_Inner_Eye_-_The_Biography_of_a_Master_Film-maker.pdf

The Village Voice Film Guide: 50 Years of Movies from Classics to Cult Hits



Village Voice, Dennis Lim, The Village Voice Film Guide: 50 Years of Movies from Classics to Cult Hits
Wiley | ISBN 0471787817 | November 17, 2006 | PDF | 336 Pages | 1.9MB


For decades the Village Voice set the benchmark for passionate, critical, and unique film coverage. Including reviews by some of Americas most respected critics, The Village Voice Film Guide compiles spirited landmark reviews of the Voices selection of the 150 greatest films ever made. Collecting some of the best writing on film ever put on paper, this is a perfect book for film buffs.

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http://rapidshare.com/files/341276715/The_Village_Voice_Film_Guide_-_50_Years_of_Movies_From_Classics_to_Cult_Hits.pdf

Directing the Documentary, Fourth Edition



Directing the Documentary, Fourth Edition by Michael Rabiger
Publisher: Focal Press | Number Of Pages: 627 | Publication Date: 2004-04-13 | ISBN-10: 0240806085 | PDF | 5 Mb
Tens of thousands of readers have benefited from Michael Rabiger's classic text on documentary filmmaking, now updated to reflect the revolutionary switch to digital video equipment and software. You will learn how to research and focus a documentary film or video idea, develop a crew, direct the crew, maintain control during shooting, and oversee postproduction. Practical work is emphasized, with dozens of exercises and questionnaires to help focus your ideas and give you hands-on practice. The documentary is treated as an important genre in its own right, as well as a useful prelude to directing feature films.

The fourth edition is a significant update. The book's emphasis has always been on concrete steps you can take to become a documentary filmmaker, and there are loads of new projects to help, along with assessment tables that allow you to gauge your progress. In addition, there is new material on location sound, the reality TV trend, top documentaries to see, and more.

*The definitive guide to making a documentary
*A hands-on approach with dozens of exercises
*A fully updated 4th edition of the classic textbook

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http://rapidshare.com/files/383979407/Directing_the_Documentary.pdf

Hollywood Drive: What it Takes to Break in, Hang in Make it in the Entertainment Industry



Hollywood Drive: What it Takes to Break in, Hang in Make it in the Entertainment Industry
Focal Press | ISBN: 0240806689 | edition 2005 | PDF | 400 pages | 2.6 MB
Hollywood Drive: What it Takes to Break in, Hang in Make it in the Entertainment Industry is the essential guide to starting and succeeding at a career in film and TV. Written by a Hollywood insider, Honthaners invaluable experience and advice will give those attempting to enter and become successful in the entertainment industry the edge they need to stand out among the intense competition. Because while film school prepares students to write a script, direct a scene and operate a camera, few newcomers enter the job market understanding how this business truly works and how to land a first jobmuch less succeed in the industry.Hollywood Drive is not merely a book about what it takes to get your foot in the door.

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http://rapidshare.com/files/341161852/Hollywood_Drive.pdf

Jerry Roberts, Encyclopedia of Television Film Directors




Jerry Roberts, Encyclopedia of Television Film Directors
Scarecrow Press 2009 | ISBN-10: 0810861380| 1104 Pages | PDF | 3 MB
From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes.
Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium.

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http://rapidshare.com/files/341280269/Encyclopedia_of_Television_Film_Directors.pdf

Grammar of the Edit, Second Edition by Roy Thompson



Grammar of the Edit, Second Edition by Roy Thompson, Christopher J. Bowen
Publisher: Focal Press; 2 edition (March 20, 2009) | ISBN-10: 024052120X | PDF | 2 Mb | 236 pages

This book, shall we say, 'cuts to the chase scene' of what to look for in a good shot. Rather than contain lots of useless trivia look so many other books on filmaking and editing [here's what a movieola looks like...it was invented in 1272 by Sir Random Dingleberry..., etc.], this book describes in no uncertain terms what ABSOLUTELY MUST BE IN EACH AND EVERY SHOT -- so that the successful film-maker can build a story that flows smoothly. This book will help you to be artistic, but will also help you to avoid confusing your audience. A small book that is easily read in the space of an hour, the student or novice film-maker will find himself using it as a quick reference many times over. Highly recommended.

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http://rapidshare.com/files/341277072/Grammer_of_the_Edit.2nd_edition.pdf

Grammar of the Shot, Second Edition by Roy Thompson, Christopher J. Bowen



Grammar of the Shot, Second Edition by Roy Thompson, Christopher J. Bowen
Publisher: Focal Press; 2 edition (February 20, 2009) | ISBN-10: 0240521218 | PDF | 3 Mb | 232 pages
This book, shall we say, 'cuts to the chase scene' of what to look for in a good shot. Rather than contain lots of useless trivia look so many other books on filmaking and editing [here's what a movieola looks like...it was invented in 1272 by Sir Random Dingleberry..., etc.], this book describes in no uncertain terms what ABSOLUTELY MUST BE IN EACH AND EVERY SHOT -- so that the successful film-maker can build a story that flows smoothly. This book will help you to be artistic, but will also help you to avoid confusing your audience. A small book that is easily read in the space of an hour, the student or novice film-maker will find himself using it as a quick reference many times over. Highly recommended.

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http://rapidshare.com/files/384004803/Grammer_of_the_Shot.pdf

On Camera: How To Report, Anchor Interview



On Camera: How To Report, Anchor Interview by Nancy Reardon, Tom Flynn,
Publisher: Focal Press | Number Of Pages: 384 | Publication Date: 2006-09-15 | ISBN: 0240808096 | PDF | 2 Mb

Want access to the best-kept secrets and tips for sounding and looking professional while presenting on-camera for television?

This is your toolkit.

Reardons On Camera: How to Report Anchor and Interview teaches you how to become professional and effective on camera. Learn how to appear, and feel, at easewhether doing an interview or reporting in the field, or whether reading copy from a prompter or giving a video presentation. Read about what tricks the pros use to get the best interview answers from their subjects.

Nancy Reardon reveals a careers worth of inside stories from the world of reportinginsights toward helping you develop your professional skills

Get the scoop on job techniques and essentials: how to anchor, report interview with the hallmarks of a pro.

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http://rapidshare.com/files/383985463/On_Camera._How_to_Report__Anchor___Interview.pdf

Single-Camera Video Production, Fourth Edition



Single-Camera Video Production, Fourth Edition (Media Manuals) by Robert B. Musburger (Author)
Publisher: Focal Press; 4 edition (March 2, 2005) | ISBN-10: 0240807065 | PDF | 2,1 Mb | 232 pages

Single-camera Video Production, Fourth Edition clearly explains the technology and the equipment of video production and details step-by-step the professional-level techniques that can be applied to any type of production or budget. In addition, this manual will train you to integrate technique, equipment, and creative concerns within the production process from pre production planning through final editing.

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http://rapidshare.com/files/341284215/Single-camera_Video_Production_-_Media_Manuals_4th_Ed.pdf

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Television Technology Demystified: A Non-technical Guide

Aleksandar Louis Todorovic, Television Technology Demystified: A Non-technical Guide
Focal Press | 2006-01-18 | ISBN: 0240806840 | 288 pages | PDF | 4.1 MB
Television Technology Demystified is written for non-technical television production professionals. Journalists, program producers, camera persons, editors, and other television professionals need to know how equipment works, which performance levels are achievable, how to evaluate the technical quality of picture and sound, and other aspects of production; this book presents these and other essential concepts in a simple and non-mathematical way. Aleksandar-Louis Todorovic, a highly respected and well-known figure in the broadcasting community, has succeeded in making complex technology understandable.

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http://rapidshare.com/files/383976574/Television_Technology_Demystified.pdf

Norbert Schneider The Art of the Portrait



Norbert Schneider The Art of the Portrait (Masterpieces of European Portrait Painting, 1420-1670)
Taschen | 2002 | ISBN: 3822819956 | 180 pages | PDF | 103 MB

This work sets out to analyze some of the major works of early modern portraiture and takes a close look at 50 major works, including paintings by Jan Van Eyck, Holbein the Younger, Raphael, Mantegna and Botticelli. The portraits presented here are selected exclusively from works executed between the late Middle Ages and the 17th century - for it was then that portraiture came into its own. The portraits themselves have been chosen on the basis of their subjects' rank and profession. The value of this method of selection is its proximity to both the painters' intentions and their patrons' requirements.

Code:

http://rapidshare.com/files/360431353/The_Art_Of_The_Portrait.zip

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